Singer
Date of birth:
Height:
5' 10¾"
Spouse:
Screen Awards, IN
(Best Actor Critics)
Filmfare Awards
(Best Actor)
Screen Awards, IN
(Best Actor Critics)
Filmfare Awards
(Best Actor)
GQ Awards, India
(Actor Of The Year)
Zee Cine Awards
(Extraordinary Performer Of The Year)
GQ Awards, India
(Actor Of The Year)
National Film Awards, India
(Best Actor)
Filmfare Awards
(Best Actor)
Zee Cine Awards
(Extraordinary Performer Of The Year)
GQ Awards, India
(Actor Of The Year)
Asiavision Awards
(Best Actor Critics)
Asiavision Awards
(Best Actor Critics)
was among the first ones to break the news that Sooraj Barjatyas next family entertainer, starring Ayushmann Khurrana and Sharvari, would go on floors on November 1. We have now learned what this film has got its title. It was reportedly earlier titled Prem Ki Shaadi, but now it has come to light that the film is called Yeh Prem Mol Liya.#Sooraj Barjatya BREAKING: Ayushmann Khurrana-Sharvaris next with Sooraj Barjatya gets a title Yeh Prem Mol Liya A photographer named Ravendra Singh Bhadauria uploaded a picture on Instagram on November 6 that features a DSLR camera resting next to the clapperboard of the film. The clapperboard clearly mentions the name of the film, that is, Yeh Prem Mol Liya.As per a report in Mid-Day, a week-long shoot was completed in Kandivali. Sooraj Barjatya shot a grand scale in this schedule, featuring Ayushmann Khurrana, Sharvari, other actors of the cast and 200 background dancers. View this post on Instagram A post shared by Ravendra Singh Bhadauria (@ravendrasinghbhadauria) The Mid-Day article also stated that the next schedule of the film will begin this week at Mehboob Studios. At the Bandra shooting venue, the team plans to complete 80% of the shoot, after which a few outdoor portions will remain. If all goes well, the shoot of Yeh Prem Mol Liya will be wrapped up by January 2026. The film also stars Anupam Kher, Seema Pahwa, and Supriya Pathak in pivotal roles, reportedly. Yeh Prem Mol Liya is presented and produced by Rajshri Productions in association with Mahaveer Jain Films and Anita Gurnani. A source told last month, After Uunchai (2022), Sooraj Barjatyas last film, Rajshri Productions has decided to join hands once again with Mahaveer Jain Films. Both Sooraj Barjatya and Mahaveer Jain had a wonderful time working with each other on Uunchai and hence, they decided to collaborate once more for the upcoming film.
Filmmaker Sooraj Barjatya has officially commenced shooting for his next directorial under the Rajshri Productions banner, starring Ayushmann Khurrana and Sharvari in the lead. The untitled film, a romantic family entertainer, went on floors on November 1, 2025, marking the beginning of a new collaboration between Rajshri Productions and Mahaveer Jain Films. Ayushmann Khurrana and Sharvaris next with Sooraj Barjatya goes on floors; Anupam Kher shares update from sets Actor Anupam Kher, who has been a long-time collaborator of Barjatya, took to social media to share a special update from the sets. Revealing that this project marks his 549th film, Kher wrote, ANNOUNCING MY 549th FILM:???? Delighted to share that my 549th untitled film started today with one and only SOORAJ BARJATYA! Presented him the auspicious shawl which I got from #Ayodhya! Sooraj was #MaheshBhatt Saabs 5th assistant for my first film #Saaransh! It has been a long, happy, amazing and creatively joyous journey with him. Actually I am an integral part of @rajshrifilms and their family for all these years! As is the tradition, I have the privilege to be in the first shot of the film! Jai Shri Krishna! In October, exclusively reported that Rajshri Productions has teamed up once again with Mahaveer Jain Films for this project, following their collaboration on Uunchai.The film, a romantic family entertainer starring Ayushmann Khurrana and Sharvari Wagh in lead roles, went on floors on November 1. A source had earlier told , After Uunchai (2022) , Sooraj Barjatyas last film, Rajshri Productions has decided to join hands once again with Mahaveer Jain Films. Both Sooraj Barjatya and Mahaveer Jain had a wonderful time working with each other on Uunchai and hence, they decided to collaborate once more for the upcoming film. Presented and produced by Rajshri Productions in association with Mahaveer Jain Films and Anita Gurnani, the yet-untitled project is expected to carry Barjatyas signature touch of warmth, relationships, and emotional depth.
The grand Diwali release Thamma is a part of the much-loved Maddock Horror Comedy Universe and hence, it was expected that characters from the earlier films will make it in the Ayushmann Khurrana-starrer. Way back in July, had revealed that Varun Dhawan appears in the film, reprising the role of Bhediya. We also stated that the actor shot for 6 days and the scene in question would be a visual spectacle. has now stumbled upon some fascinating details. #Thamma SCOOP: Rs. 20 crores spent on the GRAND Bhediya scene in Thamma; was shot under Amar Kaushiks supervision A source told us, The makers decided to go all out with the scene of Betaal vs Bhediya. Hence, a mind-boggling amount of Rs. 20 crores was spent just on that sequence. Producer Dinesh Vijan was clear the fight scene should have top-class VFX that should stun the viewers. After all, the scene is very crucial for the future of the universe. The source further said, Amar Kaushik, the founder and mentor of the Maddock Horror Comedy Universe, serves as the producer of Thamma.But for the crucial scene of Bhediya, he was present on the set to supervise. A lot was at stake; so, Amar decided to be present when the scene was being filmed. Thamma s director, Aditya Sarpotdar, was informed about it in advance and he understood Amars point of view. He was more than happy to have Amar on the set and was also more than happy to take his valuable inputs. Thamma starred Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui and Paresh Rawal. The breathtaking Betaal vs Bhediya showdown left the audience in awe, blending cutting-edge VFX with Amar Kaushiks trademark storytelling flair. With Thamma now cementing the foundation for the next chapter in the Maddock Horror Comedy Universe, fans can expect even grander crossovers and deeper connections in the films to come.
Maddock Films latest supernatural thriller Thamma , starring Ayushmann Khurrana and Rashmika Mandanna, has offered audiences a cinematic experience unlike any other. In collaboration with AI infrastructure startup Flam, the film will feature Indias first 3D Mixed-Reality (MR) experience, transforming conventional film promotions into an interactive, story-driven engagement. Flam and Maddock Films bring Indias FIRST 3D mixed-reality experience to Thamma Fans can now immerse themselves in the dark and mysterious world of Thamma by simply scanning movie posters, merchandise, or digital creatives. The MR experience allows users to explore the supernatural universe of the film, interact with its enigmatic characters, and engage with cinematic momentsall through their smartphones. Karthik K Raman, Chief Marketing Officer at Flam, said, Entertainment marketing is evolving from static visuals into fully interactive worlds. With Thamma , our goal was to merge storytelling with audience engagement, creating experiences that audiences dont just watch, but step inside. This collaboration reimagines cinema promotion, turning everyday touchpoints into a gateway to the films supernatural universe. A Maddock Films spokesperson added, Weve always believed in pushing the boundaries of storytelling. Partnering with Flam allowed us to extend Thammas world beyond the screen, giving audiences a chance to live the story, not just watch it. The experience will be available across multiple touchpoints: Immersive Posters & Merchandise: Scan movie posters, standees, and merchandise to unlock a vampire-world 3D MR experience. Mixed-Reality Engagement: A single scan or link transports audiences into a 3D world of vampires, supernatural creatures, and cinematic moments inspired by Thamma. Mobile-First Accessibility: The MR experience is designed to work seamlessly across social platforms, print, and on-ground activations. The campaign demonstrates how MR technology is redefining film marketing in India, creating deeper connections between audiences and cinematic narratives.
Filmmaker Ram Gopal Varma recently disclosed that he had first offered the role of Malik in his 2002 gangster drama Company to Shah Rukh Khan. However, after a single meeting with the actor, Varma decided to cast Ajay Devgn instead. Ram Gopal Varma reveals Shah Rukh Khan was first choice for Company before casting Ajay Devgn In an interview with Siddharth Kannan, Varma explained, My first instinct was to cast Shah Rukh Khan. I went and narrated the story to him, and he was interested. But I somehow felt Shah Rukh has this natural body language, very energetic, hes like a live wire. The idea of Maliks character was that of a subtle guy, laid-back and cold-minded when hes thinking. I thought SRKs natural energy would go against that. To make Shah Rukh still would be an injustice to both him and the film. Varma further emphasized the difference in acting styles, stating, I think theres a performing actor and then theres an actor. Im not saying one is better than the other, but its just a different style of acting. A guy like Shah Rukh should be left to himself. I think directors trying to make him fit into a different kind of character wont work. But Ajay was naturally suited for that role, hes very calm. Thats when I decided to cast Ajay instead. I just had one meeting with SRK, and in that itself I realised it wouldnt work, but I didnt tell him. Following his decision, Varma contacted Devgn immediately after leaving Khans residence and finalized him for the role. The film also featured Vivek Oberoi, who was cast as Chandru after Abhishek Bachchan, Varmas initial choice, was unavailable due to other commitments. Company , which was the second installment in Varmas gangster trilogy, was both a critical and commercial success. It grossed Rs 25.02 crores against a budget of Rs 9.5 crores and marked Mohanlals debut in Hindi cinema. Ram Gopal Varma is gearing up to collaborate once again with Manoj Bajpayee for their next project, a horror comedy titled Police Station Mein Bhoot.Announcing the film, RGV shared an intriguing line, We run to the police when scared, but where will the police run to when they get scared? After a deadly encounter killing, a police station becomes a haunted station, making all the cops run in fear to escape the ghosts of the gangsters. The story revolves around a police station that turns haunted after a deadly encounter, forcing the officers to flee from the vengeful spirits of slain gangsters. Details about the films release and additional cast members are yet to be revealed.
Ayushmann Khurrana is currently gearing up for Thamma , which is all set to release this Diwali, that is, on October 21. has learned that 10 days after the release of the horror comedy, the talented actor will start filming for blockbuster director Sooraj Barjatyas yet-untitled family film. It will be produced by Rajshri Productions and Mahaveer Jain Films. BREAKING: After Uunchai, Rajshri Productions joins hands with Mahaveer Jain Films again for Sooraj Barjatyas next; Ayushmann Khurrana-Sharvari starrer goes on floors on November 1 A source told , After Uunchai (2022), Sooraj Barjatyas last film, Rajshri Productions has decided to join hands once again with Mahaveer Jain Films. Both Sooraj Barjatya and Mahaveer Jain had a wonderful time working with each other on Uunchai and hence, they decided to collaborate once more for the upcoming film. The source continued, The film goes on floors on November 1. It is a romantic family entertainer and would have the trademark Sooraj Barjatya stamp. Besides Ayushmann, it also stars Sharvari. The film is presented and produced by Rajshri Productions in association with Mahaveer Jain Films and Anita Gurnani. This family entertainer marks Mahaveer Jains next big venture after Naagzilla.Starring Kartik Aaryan, it is directed by Mrighdeep Singh Lamba and is made in collaboration with Karan Johars Dharma Productions. Sharvari, meanwhile, is also gearing up for the release of YRF Spy Universes first female-led film, Alpha , co-starring Alia Bhatt and Bobby Deol. It will be released on cinemas on Christmas this year. Last week, Ayushmann Khurrana attended the first day of the silver jubilee edition of FICCI Frames 2025. At his session, he confirmed for the first time that he had signed Sooraj Barjatyas next. He said, As for my line-up, Thamma is my first big Diwali release. It would be followed by a Sooraj Barjatya film, which is for a wider audience. Then I am also doing a Dharma film, which also would be for a wider audience
Bollywood is gearing up for a star-studded treat next year as the first poster and announcement of Pati Patni Aur Woh Do has been unveiled. The film brings together an ensemble cast of Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi, and Rakul Preet Singh in what promises to be a fun, dramatic, and entertaining ride. Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi and Rakul Preet Singh starrer Pati Patni Aur Woh Do to release on Holi, first poster unveiled Directed by the popular filmmaker Mudassar Aziz, Pati Patni Aur Woh Do introduces audiences to the world of Prajapati Pandey, setting the stage for a quirky, vibrant narrative filled with drama, comedy, and romance. The makers have confirmed that the film is scheduled to release on Holi, 4 March 2026, marking a perfect festive launch that aligns with the films colourful and lively theme. The film is produced by Bhushan Kumar and Renu Ravi Chopra, with creative production led by Juno Chopra. Industry insiders suggest that the combination of Ayushmanns impeccable comic timing, Saras on-screen charm, Wamiqas intensity, and Rakuls charisma will make this film a must-watch for audiences of all ages. While details of the plot remain under wraps, the title hints at a modern take on relationships, possibly exploring the dynamics between multiple characters in a humorous and dramatic setting. The teaser announcement already has fans speculating about the twists and turns that Pati Patni Aur Woh Do will bring to the big screen. The film also marks a notable collaboration for the four actors, each of whom has carved a niche in Bollywood with their distinct choices of roles. With Holi being one of the biggest festive seasons in India, the makers are confident that the films release will resonate with families and youth alike, promising a mix of laughter, romance, and entertainment. As anticipation builds, fans are already marking their calendars for 4 March 2026, eager to witness the launch of Prajapati Pandeys world and the chemistry of this dynamic ensemble on the silver screen.
The much-anticipated Diwali releases, Thamma and Ek Deewane Ki Deewaniyat , are just days away, and the excitement across the trade, industry, and audiences is palpable. As with every major festive clash, the battle for screens has intensified. has learned that the first round of this tussle between the distributors of both films has already begun. EXCLUSIVE: Thamma vs Ek Deewane Ki Deewaniyat screen-sharing battle begins; makers of Ayushmann Khurrana-starrer demand ALL shows in single and two-screen cinemas A trade source told , Thamma , starring Ayushmann Khurrana and Rashmika Mandanna, is being distributed by PVR Inox Pictures. Its distributor-partner in the Mumbai circuit, August Entertainment, has sent a mail to cinemas in the territory informing them about their screen-sharing requirements. They have asked for all shows in single-screen cinemas and two screen theatres. They have also asked for 12 shows in three-screen multiplexes; it means 100% showcasing in two of the three screens and a show or two in the third screen as well. The mail from August Entertainment further states that they want 15 shows of Thamma in four-screen theatres, 18 shows in five-screen cinemas, 21 shows in six-screen multiplexes, 24 shows in seven-screen multiplexes, 27 shows in eight-screen multiplexes, 30 shows in nine-screen plexes and 33 shows in 10-screen theatres. Its important to note that this move has come directly from August Entertainment, which is handling the release of Thamma in the Mumbai circuit. How distributors in other regions respond, and whether they follow suit with similar demands, remains to be seen. Nevertheless, the exhibitors have expressed reservations. An exhibitor told us, We would definitely want to show Thamma as it looks exciting. But single-screen cinemas should also be given a chance to play Ek Deewane Ki Deewaniyat.In fact, its the single-screen theatres where the Harshvardhan Rane-film can score big time. And lets not forget that the Marathi film Premachi Goshta 2 and the Gujarati film Chaniya Toli are also up for release this Diwali. Some cinemas would want to accommodate it as well. Hence, we hope a solution can be found. Another exhibitor remarked, The mail from August Entertainment mentions that the rule exists only for non-PVR, non-Inox and non-Cinepolis cinemas. We feel its not fair and it should be uniform for all cinemas. Meanwhile, a trade expert commented, Just a few weeks ago, we saw what happened during the Kantara: A Legend Chapter 1 vs Sunny Sanskari Ki Tulsi Kumari clash. At that time, the makers of the former asked for 100% shows in single-screen, two-screen and three-screen cinemas. Even in theatres with four screens and more, they asked for nearly 80-90% of showcasing. At least, the distributors are reasonable in the case of Thamma.
Ayushmann Khurrana had an interesting conversation with journalist Mayank Shekhar on day 1 of the silver jubilee edition FICCI Frames 2025 at a five-star hotel in Mumbai on the choice of his films and a lot more. Ayushmann gave an interesting answer when asked about his love for hybrid films, that is, films that are mainstream but at the same time, they also push the envelope and challenge the status quo. #Ayushmann Khurrana BREAKING: Ayushmann Khurrana CONFIRMS Sooraj Barjatya and Dharma Productions next at FICCI Frames 2025: These films are for a wider audience Ayushmann Khurrana said, I have always done hybrid movies from day 1. That was my staple, be it Vicky Donor or Dum Laga Ke Haisha or Shubh Mangal series. The risk-to-reward ratio is very different when you see it from my lens because these films are not very expensive. They are low budget to mid budget films and are high on content. Toh itna risk toh le hi sakte hai (smiles). At the same time, it gives you a different high as I come from the street theatre background. While doing street plays in Chandigarh, we used to mix social issues entertainment. This seems to be like the extension of my theatre personality. He added, Having said that, the entertainment quotient should always overpower the messaging. Audience bacche ki tarah hoti hai. Unko meethi goli deni padti hai dawai ki. Dawai kadvi lagegi toh mazaa nahin aayega ! Subtle messaging with entertainment is most important. Is there a difference in the cinema pre-pandemic and post-pandemic? Ayushmann remarked, We are having this discussion on this subject since half a decade. I really believe a good script is a good script. At the same time, I have deviated post-pandemic. My choices pre-pandemic was more taboo based. I am staying slightly away from taboo but not from quirk. So, it has to be for a bigger palette, more rooted, more commercial. He further said, As for my line-up, Thamma is my first, big Diwali release. It would be followed by a Sooraj Barjartya film, which, again is for a wider audience. Then I am also doing a Dharma film which also would be for a wider audience. Lekin main beech mein panga leta rahunga.Ill continue to do tedhi films as thats my core! This is probably the first time that Ayushmann Khurrana confirmed that he has signed Rajshri Produtions and Dharma Productions next.
Ayushmann Khurrana, known for blending relatability with wit on-screen, is back in the spotlight this time as the face of Amazon Pays new campaign, Payments ka A to Z. The campaign, launched on October 1, 2025, positions Amazon Pay as a one-stop destination for all payment needs, from UPI and cards to bills, wallet, pay later, and travel bookings. #Ayushmann Khurrana Ayushmann Khurrana brings his signature charm to Amazon Pays Payments ka A to Z campaign In the light-hearted ad film, Ayushmann is seen navigating a hilariously chaotic household where shoes turn up in food containers and clothes appear in dishwashers. The exaggerated humor drives home the message of how scattered payments across multiple apps often feel and why Amazon Pays unified interface offers a simpler solution. Sharing his excitement about the association, Ayushmann Khurrana said, "I'm delighted to continue my association with Amazon Pay with the 'Payments ka A to Z' campaign. What excites me about this innovation is how it truly puts the customer first by making Amazon Pay the one stop shop for all payments, deals and rewards - a gamechanger for users looking for simplicity and efficiency. The film captures that thought with humour, but the message is clear how Amazon Pay is making digital payments simpler, smarter and more rewarding." The updated Amazon Pay wallet, now easily accessible from the Amazon.in homepage and through its shortcut app, brings all payments into one organized hub. Customers can pay bills, book travel, manage cards, and even access personalized recommendations that surface the most rewarding payment option in real time. Vikas Bansal, CEO of Amazon Pay India, added, "Building on our long-term collaboration with Ayushmann Khurrana, who continues to reflect our commitment towards simplicity and innovation, Amazon Pay is taking a significant step forward with 'Payments ka A to Z' campaign. This upgrade transforms Amazon Pay into a complete payment solution that brings every major payment instrument into a single place... With this campaign, Amazon Pay delivers on its promise - the A to Z of payments, all working smarter for millions of Indians." The campaign, conceptualized by Quotient Ventures, will be rolled out across TV, digital, and social platforms. With Ayushmann at the forefront, the brand hopes to connect with a wide audience while driving adoption of the platforms new integrated features.